Thinking of my mother and wishing I could present to her a gift : a sort of bouquet of poesie. That is after all one of her life long gifts to me.
Although the actual conditions of our life in Pawtucket were poor; the atmosphere that my mother Margaret created was rich -- it is what people now call cultural wealth. She had that in spades, and she cultivated and added to it daily. She never tired of detailing Ireland's rights and England's wrongs. So much so I still find my self most recently arguing back to the television series on Victoria --especially when it tries to sweeten her attitudes towards Ireland and Scotland. However my mother did prize the English poets and did enjoy and often sing some old English song. One of them I have copied here:
Another earlier way of saying it's TWILIGHT TIME. You can hear it sung on YOU TUBE.
Gloaming | Definition of Gloaming by Merriam-Webster
The roots of the word trace to the Old English word for twilight, "glōm," which is akin to "glōwan," an Old English verb meaning "to glow." In the early 1800s, English speakers looked to Scotland again and borrowed the now-archaic verb gloam, meaning "to become twilight" or "to grow dark."
IN THE GLOAMIN'
In the gloaming, oh my darling
When the lights are soft and low
And the quiet shadows, falling,
Softly come and softly go
When the trees are sobbing faintly
With a gentle unknown woe
Will you think of me and love me,
As you did once, long ago
In the gloaming, oh my darling
Think not bitterly of me
Though I passed away in silence
Left you lonely, set you free
For my heart was tossed with longing
What had been could never be
It was best to leave you thus, dear,
Best for you, and best for me
In the gloaming, oh my darling
When the lights are soft and low
Will you think of me, and love me
As you did once long ago
I was always puzzled by this song. It is a song about longing and holding onto that languorous feeling long after you have let go of the person who inspired it. The singer still addresses the absent one as darling and dear, She refuses to let bitterness or regret enter the picture. At least the memory must always be untarnished even if the subject of that memory had to be shorn.
I have written often of the tremendous power the sons and lyrics of Tom Moore held for my mother especially when they were put to music and sung by a great Irish tenor like John McCormack,
I was reminded of that recently when I watched again the incredible tribute to the excesses of mother-love directed and written by Martin McDonough. It is called "Three Billboards Outside of Ebbing Missouri" but it is the song that plays under the opening and closing credits that gives the game of Irish mother idolatry away.
We hear Tom Moore's LAST ROSE OF SUMMER sung by the soprano Renee Fleming
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