BREAST PLATE OF SAINT PATRICK

 Why is a Prayer called a Breastplate?

This prayer acts as armor against all evil in the world. It strengthens the person who recites it for all encounters with temptation throughout the day.

St. Patrick's Breastplate is a popular prayer attributed to one of Ireland’s most beloved patron saints. According to tradition, St. Patrick wrote it in 433 A.D. for divine protection before successfully converting the Irish King Leoghaire and his subjects from paganism to Christianity. (The term breastplate refers to a piece of armor worn in battle.) In any case, this prayer certainly reflects the spirit with which St. Patrick brought the faith to Ireland! St. Patrick's Breastplate, also known as The Lorica of Saint Patrick was popular enough to inspire a hymn based on this text as well. 

This prayer has also been called The Cry of the DeeR, Why?

St. Patrick’s Breastplate prayer was written in a difficult time. A local chieftain had placed a price on his head. As legend has it, the chieftain’s troops were hot on Patrick’s tail, when he invoked this prayer of protection. All Patrick’s pursuers heard was the cry of a deer bounding across the trail.

Patrick’s prayer affirms an ever-present, dynamic God. God is a circle whose center is everywhere and whose circumference is nowhere. God is above us, below us, around us, within us. Wherever we are, God is with us. We are always centered in God, and God centers us. And, also wherever we go, God’s circle of love surrounds us. 

I arise today 
Through a mighty strength, the invocation of the Trinity,
Through belief in the Threeness,
Through confession of the Oneness
of the Creator of creation.

I arise today
Through the strength of Christ's birth with His baptism,
Through the strength of His crucifixion with His burial,
Through the strength of His resurrection with His ascension,
Through the strength of His descent for the judgment of doom.

I arise today
Through the strength of the love of cherubim,
In the obedience of angels,
In the service of archangels,
In the hope of resurrection to meet with reward,
In the prayers of patriarchs,
In the predictions of prophets,
In the preaching of apostles,
In the faith of confessors,
In the innocence of holy virgins,
In the deeds of righteous men.

I arise today, through
The strength of heaven,
The light of the sun,
The radiance of the moon,
The splendor of fire,
The speed of lightning,
The swiftness of wind,
The depth of the sea,
The stability of the earth,
The firmness of rock.

I arise today, through
God's strength to pilot me,
God's might to uphold me,
God's wisdom to guide me,
God's eye to look before me,
God's ear to hear me,
God's word to speak for me,
God's hand to guard me,
God's shield to protect me,
God's host to save me
From snares of devils,
From temptation of vices,
From everyone who shall wish me ill,
afar and near.

I summon today
All these powers between me and those evils,
Against every cruel and merciless power
that may oppose my body and soul,
Against incantations of false prophets,
Against black laws of pagandom,
Against false laws of heretics,
Against craft of idolatry,
Against spells of witches and smiths and wizards,
Against every knowledge that corrupts man's body and soul;
Christ to shield me today
Against poison, against burning,
Against drowning, against wounding,
So that there may come to me an abundance of reward.

Christ with me,
Christ before me,
Christ behind me,
Christ in me,
Christ beneath me,
Christ above me,
Christ on my right,
Christ on my left,
Christ when I lie down,
Christ when I sit down,
Christ when I arise,
Christ in the heart of every man who thinks of me,
Christ in the mouth of everyone who speaks of me,
Christ in every eye that sees me,
Christ in every ear that hears me.

[Note that people sometimes pray a shorter version of this prayer just with these 15 lines about Christ above. The conclusion follows below.]

I arise today
Through a mighty strength, the invocation of the Trinity,
Through belief in the Threeness,
Through confession of the Oneness
of the Creator of creation.

When St. Paul referred to putting on the “Armor of God” in his letter to the Ephesians (6:11) to fight sin and evil inclinations, he could have been thinking of prayers just like this one!

 We may not wear combat gear in our daily lives, but St. Patrick's Breastplate can function as divine armor for protection against spiritual adversity every day of our lives.

What is Bloomsday?

 

Bloomsday is June 16th--today and it is the day that is described minute by minute in the  great novel written by James Joyce. 

Today BLOOMSDAY  is celebrated as a national and even international observance in Ireland and  in many other countries. In Dublin the events follow the order and map described in the book and many readings  are held at some of the places that Joyce memorialized  in his telling. Joyce left Ireland and never returned, but spent his artistic life recreating the  place and the manners of the people he had left behind.

Ironically, as Louis Menard  reminds us,

“Ulysses” was never banned in Ireland. People there who hated the book weren’t simply offended by the obscenity. They didn’t like what they saw of themselves in it. George Bernard Shaw called the novel’s language “blackguardly,” and said that his own hand could never have formed the words. But he conceded that the book was a masterpiece. He, too, had been a young man in Dublin, and he recognized the city he had known. “ ‘Ulysses’ is a document,” he told a friend, “the outcome of a passion for documentation that is as fundamental as the artistic passion. . . . If a man holds up a mirror to your nature and shows you that it needs washing—not whitewashing—it is no use breaking the mirror.” As Joyce said when he was told that his aunt Josephine had refused to read the book, “If ‘Ulysses’ isn’t fit to read, life isn’t fit to live.”

Henry James, in an essay called “The Art of Fiction,” in 1884, said that in England and America people see more than they think it’s proper to say, and they say more than they think it’s proper to read. More than any other English writer, Joyce destroyed that decorum. He paid a terrible price for it.

How should we celebrate this  milestone in human expression? Read some section of the novel, you could begin with the ending:

The ending of Ulysses.

No punctuation. Molly Bloom’s inner monologue as she lies in bed, waiting for Leopold to return to her. As you read it, the punctuation becomes clear.

Joyce had always been quite sure that he wanted to end the book in this manner, especially in regards to the last word. He said that after all the torment, after all the troubles of the day portrayed in the book, he wanted to end Ulysses on “the most positive word in the English language”.

the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.