OCTOBER LIGHT--I said to my husband recalling a novel by that title written years ago by John Gardner.
Shocked and saddened today when I read in the Times that a man despaired;killed himself on Monday in Slater Park.
I go to the Park almost daily and it is my husband's favorite outing.It is a place of family picnics and fishing on the pond and gaggles of geese and children running excitedly through them.It's not a sad place but an oasis of beauty and peace. So it is sad to think that someone despaired there.
Monday was such a gorgeous day.I remarked that the light had changed. The bright sky was blue;intensely blue and the fluffy clouds; white clouds sailed in blue;high relief. All was bathed in a glow; kind of golden light. And even though it is a sign of the change of seasons from summer to fall; it is also a glowing light that seems to shed glory on even the humblest scene. And in that light pouring down like liquid gold on us all, a man decided to end his life.
I am thinking of the Pope's urgent message to think of life and its sanctity at every stage--the newborn, the criminal condemned to death and the lonely old. He stressed the loneliness of the aging. I think that is something to contemplate--the loneliness of the old.
As I age I feel a kind of deep loneliness because in a way my path of disability and care giving has caused me to diverge from the path of some friends. And also so many times when we hear from old friends and acquaintances, we hear of their disability, their diminishing, their despondency, their diseases and sometimes of their deaths.
We all know that we are as the poet Emily Dickinson expressed it-- on a trajectory towards eternity.
Because I could not stop for Death – (479)
BY EMILY DICKINSON
Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.
We slowly drove –
He knew no haste
And I had put away
My labor and my leisure too,
For His Civility –
We passed the School, where Children strove
At Recess – in the Ring –
We passed the Fields of Gazing Grain –
We passed the Setting Sun –
Or rather – He passed Us –
The Dews drew quivering and Chill –
For only Gossamer, my Gown –
My Tippet – only Tulle –
We paused before a House that seemed
A Swelling of the Ground –
The Roof was scarcely visible –
The Cornice – in the Ground –
Since then – 'tis Centuries –
and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity –
Knowing that we are all going towards the same destination and hearing that someone chose to quicken and end the journey early makes me pause.
So often in the Bible life is compared to a race--one that we must finish, that we must run well.
Sometimes I think of our souls that are within us as a great thoroughbred longing to reach the finish line, and we are told by Saint Augustine that we are meant for God and "our hearts are restless until we rest in thee."
I hope that the man who died at Slater Park found himself racing towards the waiting and welcoming arms of God as he sprinted into eternity.
This Blog describes reactions that a woman who was born and raised in Pawtucket has when she returns to her native city after an absence of thirty years, recalls the sites of her childhood and registers the way she is affected by the changes and lack of changes that have taken place since her childhood.
Wednesday, September 30, 2015
Friday, September 25, 2015
Vanished neighborhood storefronts of Pawtucket
Every day walking and driving around in Pawtucket, I am swept by a feeling of both strangeness and familiarity that takes me by surprise. Something is missing in a long-known place. More often than not I am looking at a building that once housed a store and now it is all gone or it is obliterated and seems to have disappeared into an entrance to an apartment. In my old childhood locale I look for places that are no longer there. Just to name a few--at the corner of Pond Street and Prospect St. there is a vacant lot where once there was a drug store, Another favorite drugstore has also been razed at the corner of Summit Street and Division Street. This was a dear place because it had a cool and welcoming soda fountain and a friendly soda jerk who would flavor cokes to order with cherry or vanilla flavoring. Also he dispensed strawberry and root beer floats. The floors were tile and the overhead fans created a cool oasis on a hot summer day. Now there is nothing there but a small fenced lot. Right next door on Summit Street there was a cleaners --I think it was called Keenan's--now it seems to be a church. Division Street still has many stores but no where can I find the cobblers. The tavern at the corner of Brewster and Division is there but it looks different and it is no longer called FORD's. Most missed is the small grocery store that sat on the corner of Meadow Street and Brewster Street. Because we did all of our grocery shopping there we went most days to that store which was owned and managed by Modesto "Mike" and his wife Helen. I miss it and think of them both every time I drive by the building that still stands there but is not a storefront. Also I was a daily visitor to a store that was close to my school then called Saint Joseph's now it is part of Saint Raphael's Academy and takes up the corner of North Bend and Walcott. There were two stores across the road--one was a grocery store and I think it was called McCormicks. The other right on the corner was more like a drugstore. Now there are no stores, but I can see where they once were in the buildings. When I see the students from Saint Rays changing classes I wonder where do they go when they want and need a quick coke or a candy bar or a wonderful salty pickle from the barrel in Mc Cormicks. That is what we used our milk money for --what do the students today do with their milk money.Do they actually buy milk with it?
No treats, no adventures no forays into small cool, dark places on their ways back and forth.
No treats, no adventures no forays into small cool, dark places on their ways back and forth.
Thursday, September 24, 2015
Saints in Pawtucket
When I was growing up in Pawtucket I felt myself surrounded by good people--in my family, in my neighborhood and in my daily routine. In watching the canonization of Father Serra yesterday I began to think about the fact that even saints are flawed --all of us are flawed. So what makes a person a saint? I don't know but I am suddenly thinking of the people from Pawtucket who seemed saintly to me. What was the nature of their sanctity? Of course, I think that my mother was a saint--I'm not going to go there--not today.
But I want to recall some of the cloud of witnesses that were a fact of my daily life. At another time I will try to tease out the particulars of these extraordinary ordinary people. Today I want to just name a few.
Modesto Lunadelli who ran a grocery store for years at the corner of Meadow Street and Brewster Street.
Jack White who owned the 2-decker that we lived in on the second floor at 130 Englewood Avenue.
Sister Mary Michaeleen who was my 8th Grade teacher at St. Joseph's School on Walcott Street.
Al McAloon who ran a Catholic bookstore and lending library, Saint Augustines in downtown Pawtucket that my mother took me to every Saturday.
Henry Shelton who tirelessly fought for help for the poor.
Jenarita Fox who started at the Grove Street School the first Special Education classes that my two sisters with Down Syndrome could attend and learn to read.
There I have named six and I will stop here and hopefully find the words so describe their sanctity as it came into my life in future postings.
In the last years of his life my Uncle Joe Coleman, who had the religious name Brother Cyril, often spoke of seeing saints everywhere--on the bus and in the streets. They were all shining-- he would tell me. These are six that even I could see glowing before me in our small, important place--Pawtucket.
Friday, September 18, 2015
Anna's Anniversary
Today is the anniversary of my Aunt Anna's death. It was a painful death and she was frightened. We often had spoken together about her idea of "a happy death" and had always imagined with her that we would together create a happy death bed scene ---for her. We would sing her favorite hymns and would recite her favorite prayers -- but that did not happen. She was in too much pain and suffering and full of fear because of a terrible black bile that she was spitting up constantly. I also felt horrified and thought that black bile was an image of death itself. We tried to recite the rosary together but we could not keep it up. I became too angry at the doctor who would not or could not seem to alleviate her suffering. I had not thought that instead of praying I would be making the air blue calling for nurses and the doctor and wondering out loud what could be done to help ease her pain and anxiety. She knew she was dying; she thanked me over and over for all the ways I had helped her, and she seemed to approve when I yelled at the doctor.
Today
I want to do something for her and I have done the usual --having prayers said and visiting her grave. When I came to visit her every Friday, before she was unable to walk, I took her to Chelos for her favorite fish and chips. Today I did the same and got a take out order to share with my husband.
But that seems like so little. I am inspired to share some of the choices we made for her ideal death maybe that will help ease the grief that I feel every day for her.
Favorite hymn
MOTHER OF CHRIST
Today
I want to do something for her and I have done the usual --having prayers said and visiting her grave. When I came to visit her every Friday, before she was unable to walk, I took her to Chelos for her favorite fish and chips. Today I did the same and got a take out order to share with my husband.
But that seems like so little. I am inspired to share some of the choices we made for her ideal death maybe that will help ease the grief that I feel every day for her.
Favorite hymn
MOTHER OF CHRIST
7/29/2007
MOTHER OF CHRIST, MOTHER OF CHRIST
WHAT SHALL I ASK OF THEE?
I DO NOT SIGH FOR THE WEALTH OF EARTH
FOR THE JOYS THAT FADE AND FLEE, BUT...
MOTHER OF CHRIST, MOTHER OF CHRIST
THIS DO I LONG TO SEE
THE BLISS UNTOLD WHICH YOUR ARMS ENFOLD
THE TREASURE UPON YOUR KNEE
MOTHER OF CHRIST, MOTHER OF CHRIST
I TOSS ON A STORMY SEA
OH LIFT YOUR CHILD AS A BEACON LIGHT
TO THE PORT WHERE I FAIN WOULD BE, AND...
MOTHER OF CHRIST, MOTHER OF CHRIST
THIS DO I ASK OF THEE
WHEN THE VOYAGE IS O'ER
OH STAND ON THE SHORE
AND SHOW HIM AT LAST TO ME
Here's a verse that Anna always sang--
MOTHER OF CHRIST, MOTHER OF CHRIST
HE'LL NOT SAY NAY TO THEE
WHEN HE LIFTS HIS FACE
TO THY SWEET EMBRACE
SPEAK TO HIM,MOTHER,OF ME.
WHAT SHALL I ASK OF THEE?
I DO NOT SIGH FOR THE WEALTH OF EARTH
FOR THE JOYS THAT FADE AND FLEE, BUT...
MOTHER OF CHRIST, MOTHER OF CHRIST
THIS DO I LONG TO SEE
THE BLISS UNTOLD WHICH YOUR ARMS ENFOLD
THE TREASURE UPON YOUR KNEE
MOTHER OF CHRIST, MOTHER OF CHRIST
I TOSS ON A STORMY SEA
OH LIFT YOUR CHILD AS A BEACON LIGHT
TO THE PORT WHERE I FAIN WOULD BE, AND...
MOTHER OF CHRIST, MOTHER OF CHRIST
THIS DO I ASK OF THEE
WHEN THE VOYAGE IS O'ER
OH STAND ON THE SHORE
AND SHOW HIM AT LAST TO ME
Here's a verse that Anna always sang--
MOTHER OF CHRIST, MOTHER OF CHRIST
HE'LL NOT SAY NAY TO THEE
WHEN HE LIFTS HIS FACE
TO THY SWEET EMBRACE
SPEAK TO HIM,MOTHER,OF ME.
Sunday, September 6, 2015
Galway Kinnell and other poets in Pawtucket
Reading Rick Benjamin's essay in today's PROJO about the Pawtucket poet, Galway Kinnell, made me think about the poet and also the times that my mother, Margaret Coleman, who also wrote and published poetry met his mother in local stores or at the library. She would come home and tell me of the meeting and of the growing fame of Galway. She loved his Irish name --that his mother had dared to name him for a city in Ireland. And reminded me that she had thought if she had a son to name him after her native county, Tyrone, like the actor Tyrone Powell.
I took umbrage and wondered out loud what county or town she might have named me for-- she answered without a pause "MAYO--that would suit you."
BY GALWAY KINNELL
I look forward to next Sunday and the presentation as part of the Pawtucket Arts Festival of the winners of the Galway Kinnell Poetry contest. Hope to see some of my blog readers there and to meet Rick Benjamin.
I took umbrage and wondered out loud what county or town she might have named me for-- she answered without a pause "MAYO--that would suit you."
Tonight I am thinking of Galway and of the wonderful directness and romance of his works--how much he wrote from daily life. How he dared to describe the details of pain and suffering that are part of all love. How poetry is a way of understanding and responding to daily trials and joys.
Here is a poem he wrote on the care of an old father with Parkinson's
Parkinson’s Disease
While spoon-feeding him with one hand
she holds his hand with her other hand,
or rather lets it rest on top of his,
which is permanently clenched shut.
When he turns his head away, she reaches
around and puts in the spoonful blind.
He will not accept the next morsel
until he has completely chewed this one.
His bright squint tells her he finds
the shrimp she has just put in delicious.
Next to the voice and touch of those we love,
food may be our last pleasure on earth—
a man on death row takes his T-bone
in small bites and swishes each sip
of the jug wine around in his mouth,
tomorrow will be too late for them to jolt
this supper out of him. She strokes
his head very slowly, as if to cheer up
each separate discomfited hair sticking up
from its root in his stricken brain.
Standing behind him, she presses
her cheek to his, kisses his jowl,
and his eyes seem to stop seeing
and do nothing but emit light.
Could heaven be a time, after we are dead,
of remembering the knowledge
flesh had from flesh? The flesh
of his face is hard, perhaps
from years spent facing down others
until they fell back, and harder
from years of being himself faced down
and falling back in his turn, and harder still
from all the while frowning
and beaming and worrying and shouting
and probably letting go in rages.
His face softens into a kind
of quizzical wince, as if one
of the other animals were working at
getting the knack of the human smile.
When picking up a cookie he uses
both thumbtips to grip it
and push it against an index finger
to secure it so that he can lift it.
She takes him then to the bathroom,
where she lowers his pants and removes
the wet diaper and holds the spout of the bottle
to his old penis until he pisses all he can,
then puts on the fresh diaper and pulls up his pants.
When they come out, she is facing him,
walking backwards in front of him
and holding his hands, pulling him
when he stops, reminding him to step
when he forgets and starts to pitch forward.
She is leading her old father into the future
as far as they can go, and she is walking
him back into her childhood, where she stood
in bare feet on the toes of his shoes
and they foxtrotted on this same rug.
I watch them closely: she could be teaching him
the last steps that one day she may teach me.
At this moment, he glints and shines,
as if it will be only a small dislocation
for him to pass from this paradise into the next.
Galway Kinnell, “Parkinson’s Disease” from Imperfect Thirst. Copyright © 1994 by Galway Kinnell. Reprinted with the permission of Houghton Mifflin Company. All rights reserved, www.houghtonmifflinbooks.com.
Saturday, August 1, 2015
Statues at Saint Joseph's Church and Flavius Boucher
FLAVIUS BOUCHER and his GIft to Saint Joseph Church
MY FRIEND'S FATHER WAS A SELF TAUGHT SEMI-LITERATE ARTIST IN PAWTUCKET
NOTE: a version of this blog entry was published on this blog on August 1, 2015, I am reprinting it because A reader asked if my friend Lucille spoke French at home. She certainly did. In those years many schools in Central Falls had half days in French. I learned my first French by picking up their phrases --so I only knew the familiar forms. But I learned so much more from this family.
Reading recently of the theft of a small statue of Saint Joseph that was adorning a small garden in the yard of Saint Joseph's Church on the corner of Walcott Street and South Bend in Pawtucket made me instantly think of a person who had once also created a statue for that same Church yard.
I pity the thief who took the small, mass made object and only hope he did it out of an overflow of devotion.
I want to recall the fact that once that Church yard held original artwork of a pious parishioner.
I am thinking of Flavius Boucher, he was a semi-literate French Canadian who was the father of my best friend Lucille Boucher. He was also a self-taught genius of a sculptor in granite. Flavius was an extraordinary human being with a natural talent for cutting stone. Professionally he was a mason and stone-cutter. but he went further.
In the 1950s when I was visiting his family home on Columbus Avenue everyday, he began a miraculous self transformation to an artist in stone. I could not believe the long hours he spent patiently finding the forms and faces in the great blocks of granite that he brought to his workshop garage. He rigged a hoist and would create statues especially busts of such historical figures as Abraham Lincoln, Dwight Eisenhower, Pope Pius, and even heads of his three children, Arlene, Lucille and Raymond. He would use a caliper to measure their noses and lips-- I was so envious of those lovingly crafted images of his children.
In my my eyes Flavius was an ideal father. He enlisted my help in his enterprise in an original and creative way. Since he could not read or write beyond the most basic English, he asked for my help because I was known as someone who read obsessively and liked to write poems. He instructed me to read aloud to him the histories he found of the figures he was drawn to recreate in stone.
Then after he had listened to me read and reread the encyclopedia entry he had found, he would try to create aloud a brief history of the person and also a history of his own interest and of the stone itself to accompany the work he was creating. He would talk to me about the person, his interest in the person, and the special characteristics of the stone itself. Then I would frame sentences that reflected what he was telling me.
Remember--I was in grade school at the time. I would read them back to him repeatedly until he was satisfied. When he liked the way I had expressed his ideas, he would thank me and ask me to write in print a copy of what we had composed together. Then he would place that on a cardboard and stand it next to the bust he had completed. I never heard what became of all the things he carved so perfectly. I know that he sold some of them, I know that he got orders from some people for specific subjects to be carved, I also know that many of his finished works languished in the stone dust of his work shop.
But he worked on--- and one of his works, a statue of Saint Joseph, he contributed to Saint Joseph's Church. That statue is not where it used to be, and I am not aware of how it was moved or when, where or why. I walked around the church grounds that I had known since childhood. One day several decades after I left Pawtucket, I drove to my friend's old three- decker on Columbus Avenue and walked around the large yard and tried to see into the garages. I could find no trace of the old stones or the workshop. I don't even know when Flavius died because all of his children left Pawtucket and went their separate ways.
I do know that he influenced me because of his originality, his productivity and his fierce persistence in creating his art in a world that was largely indifferent to him. He and others that I knew and cherished in Pawtucket also modeled for me the kind of dedication to art and to their creative genius that impressed itself on me as real artistry and real intellectualism.
Those relationships guaranteed that I would never make the mistake of thinking that education and intelligence are congruent: that just because a person is educated means that he is intelligent or just because a person is not educated maybe even illiterate meant that they are not intelligent. No, intelligence and creativity are like birds that can alight on' the branch of any tree.
Sunday, July 26, 2015
Two People reading Ghazals in Homage to Ghalib
I am home recuperating from thyroid surgery, and that means even more silence than usual because it is painful to speak. Not to complain too much, but my husband is an introverted silent person and I have always been willing to take up the slack. But with that option gone, the hours of quiet became oppressive. I cast about for something to unleash some words from Yash and I was thinking of his love the poetry of Ghalib and especially his old delight in reciting Urdu couplets. But his memory loss is so complete that he cannot recall them. I felt stymied by the fact that most of my books have either been boxed up and stored in the garage or dispersed to various book sales and libraries and the Salvation Army.
I decided to bite the bullet and re-buy them at the trusty Amazon and Alibris, and sure enough in two days volumes of ghazals in Urdu and English were at our door. I did not urge the books on Yash--that is deadly. I just started reading them and nodding and smiling. Sure enough within minutes Yash picked up the volumes and started reading the Urdu aloud to just hear those wonderful sounds.
Then he started reading the English versions aloud--and that seemed like a happy out come.
We both tried to memorize couplets and have spent several happy evenings exchanging ideas about such lines as these:
When I describe my condition, you say "What's your point?"
When you talk to me that way what am I to say?
Your lover may not be faithful, but she is your lover.
We could mention the sensuous rolling way she walks.
Spring doesn't last that long but at least it is Spring.
It would be good to mention the scented winds that move through the garden.
Ghalib, once the boat has arrived at the other shore,
Why go on and on about the wickedness of the boatman?
This is Robert Bly's translation and according to Yash he has gotten close to the ironic and puzzling and puzzled tone of voice in the original. There is something so direct and funny about that voice that I love it.
How I wish I could find that tone of insouciance, idiomatic speech, hidden depth and surface charm for my own poems. Wish me good luck with that dream.
I decided to bite the bullet and re-buy them at the trusty Amazon and Alibris, and sure enough in two days volumes of ghazals in Urdu and English were at our door. I did not urge the books on Yash--that is deadly. I just started reading them and nodding and smiling. Sure enough within minutes Yash picked up the volumes and started reading the Urdu aloud to just hear those wonderful sounds.
Then he started reading the English versions aloud--and that seemed like a happy out come.
We both tried to memorize couplets and have spent several happy evenings exchanging ideas about such lines as these:
When I describe my condition, you say "What's your point?"
When you talk to me that way what am I to say?
Your lover may not be faithful, but she is your lover.
We could mention the sensuous rolling way she walks.
Spring doesn't last that long but at least it is Spring.
It would be good to mention the scented winds that move through the garden.
Ghalib, once the boat has arrived at the other shore,
Why go on and on about the wickedness of the boatman?
This is Robert Bly's translation and according to Yash he has gotten close to the ironic and puzzling and puzzled tone of voice in the original. There is something so direct and funny about that voice that I love it.
How I wish I could find that tone of insouciance, idiomatic speech, hidden depth and surface charm for my own poems. Wish me good luck with that dream.
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